The “Bubble Bath” series of mixed media editions by Tom Everhart are available for viewing and purchase at the Chuck Jones Gallery. Contact your Chuck Jones Gallery art consultant for details.
The “Bubble Bath” Suite by Tom Everhart has been released. Each image is on paper and measures 24” x 45” Image: 20″ x 41″; Medium: Mixed media print on deckled edge paper; Edition 125. For more details, contact your Chuck Jones Gallery Art Consultant. San Diego 619-294-9880 | Orange County 949-274-4834 | Santa Fe 505-983-5999
“It seems very much like the world is one big round bubble bath comprised of an endless amount of smaller bubbles that we each all live in. Within these bubbles, a meaningful expression through which the personality of the person and the broad outlook of a group are visibly similar, communicating and fixing certain values of religious, social, and moral life.
“This sanctuary of one’s bubble provides a safe place that allows independent thinking and dreaming. I used it as an inspiration for a body of paintings in the early 1990’s. They were some of the first work, a series of doghouses. This beautiful drawing of a dog house, Snoopy’s sanctuary, allowed Sparky’s character to freely transform himself into such things as a flying ace, a novelist, or just Joe Cool.
“Then in early 2013, in the Tahiti studio, another group of sanctuary inspired doghouse paintings were produced. This group included Snoopy on the rooftop. The work was meant to represent the feeling of freedom experienced while working in the bubble of the studio in Taha’a.
‘Later in 2013, a large-scale black and white canvas of the doghouse, as well with Snoopy on the roof, was produced and titled, My Crib. The title was appropriated from the hip-hop music played in the Venice studio during the painting’s construction.
‘The hip hop title combined with the familiar Schulz imagery is a reminder, to the viewer, of how essential it was, to the bubble that Sparky and I shared, that the work was to be about something different, and a new way of seeing what he did. The authenticity, within that bubble, allowed me to understand that it’s not what people see that is art. Art is the invisible gap.
“So, making the invisible, visible, would inspire seeing other bubbles in this world through the Bubble Bath series.
“The Bubble Bath series, use the appropriation of Sparky’s characters as the visual object matter, and the titles, to camouflage the certain representations of some other bubbles.
“For example, the character of Snoopy, with the title Dogg Pound Gangsta Bubble Bath, makes reference to the rap music within the bubble of my studio. Snoopy’s sister Belle, in Uptown Art Lady Bubble Bath, referring to new art collectors in the early 1980’s, and Snoopy’s brother Spike, in Swiss Herb Bubble Bath, referring to my circle of friends.” –Tom Everhart
Available online at: ChuckJones.com
Artist Tom Everhart, whose special 20 year friendship with Peanuts creator, Charles M Schulz, has influenced his work of the last 27 years, brings an exhibition of his paintings to San Diego for the first time.
TOM EVERHART: Opening Night
Exhibit of Original Paintings and Mixed Media Work
THE SAN DIEGO PREMIERE OF THE COLLECTION
San Diego, CA – January 2016 –Artist Tom Everhart, world renowned for his Charles Schulz-influenced paintings presents his latest exhibition entitled “Opening Night”. This extraordinary collection of works will be on exhibit and available for acquisition at the Chuck Jones Gallery in San Diego beginning February 13, 2016 and presenting through March 11, 2016. This is Tom Everhart’s first exhibition in San Diego. “Opening Night”, a new fine art edition on paper will premier at the exhibit and will be an exclusive to the Chuck Jones Gallery for the run of the exhibit.
Everhart and legendary Peanuts creator Charles Schulz enjoyed both a personal friendship and an artistic relationship greatly valued by both; a mutual respect so powerful that Schulz encouraged Everhart to experiment with his cartoon language in Everhart’s own medium of Fine Art Painting.
As a result, a legal agreement was arranged that would allow Everhart to use Schulz’s visual subject matter in his art for “The Term Of His Life”.
Everhart’s Schulz-influenced work has been shown not only at the Louvre in Paris, but also at the Charles Schulz Museum in Santa Rosa, and gallery shows around the world.
Image: Charles Schulz & Tom Everhart Paris 1990
Artwork is on exhibition and available for acquisition and all appearances are open to the public beginning February 11, 2016. Dedications by the artist will be available.
Opening Public Reception: Saturday, February 13th, from 5 to 8 PM
Where: Chuck Jones Gallery, 232 Fifth Avenue, San Diego, CA 92101
RSVP Required: SanDiego@ChuckJones.com or
Image: Opening Night fine art edition by Tom Everhart © PWW 2016
About Tom Everhart
Tom Everhart was born on May 21, 1952 in Washington, D.C. He began his under graduate studies at Yale University of Art and Architecture in 1970. In 1972 he participated in an independent study program under Earl Hoffman at St. Mary’s College. He returned to the Yale School of Art and Architecture in 1974 where he completed his graduate work in 1976, followed by post-graduate studies at the Musée de l’Orangerie, in Paris. He taught Life Drawing and Painting, briefly from 1979 to 1980, at Antioch College. This exhibition is greatly inspired by the artist’s years in New York spent with and inspired by fellow artists Jean-Michel Basquiat and Andy Warhol, among others.
Tom Everhart was the only fine artist granted permission by Schulz to use the Peanuts© characters in his paintings. Image: the Artist in His Venice, California Studio 2015. Photo credit: Kristen Burns Photography
In 1980, Tom Everhart was introduced to cartoonist Charles M. Schulz at Schulz’s studios in Santa Rosa, California. A few weeks prior to their meeting, Everhart, having absolutely no education in cartooning, found himself involved in a freelance project that required him to draw and present Peanuts© renderings to Schulz’s studios. Preparing as he would the drawings and studies for his large-scale skeleton/nature related paintings; he enlarged some of the cartoonist’s comic strips on a twenty-five foot wall in his studio which eliminated the perimeter lines of the cartoon box, leaving only the marks of the cartoonist. Schulz’s painterly pen stroke, now larger than life, translated into painterly brush strokes and was now a language that overwhelmingly connected to Everhart’s own form of expression and communication. Completely impressed with Schulz’s line, he was able to reproduce the line art almost exactly, which in turn impressed Schulz at their meeting. It was at this time that Everhart confirmed his obsession with Schulz’s line art style. This mutual fascination with each other’s artwork formed their ongoing relationship and furthered Everhart’s education of Schulz’s line style.
Image: Charles Schulz & Tom Everhart
A few years later, while still painting full-time on his previous body of work in his studio, Everhart began drawing special projects for Schulz and United Media, both in New York and Tokyo. These authentic Schulz-style drawings included covers and interiors of magazines, art for the White House, and the majority of the Met Life advertising campaign. When Everhart was not painting, he was now considered to be the only fine artist authorized and educated by Schulz to draw the actual Schulz line of characters.
Everhart began using Charles Schulz’s comic strip, Peanuts©, as subject matter for his paintings, eventually replacing his skeleton and nature related motifs in 1988. The inspiration came to Everhart in Johns Hopkins Hospital, where he was undergoing several operations for stage 4 colon / liver cancer in the summer of 1988. Everhart recalls lying in a hospital bed surrounded by enough flowers to open a florist shop, piles of art books and a stack of Peanuts© comic strips sent to him by Schulz. The light streaming in from the window almost projected the new images of his future Schulz inspired paintings on the wall. All the images in Everhart’s work are in some respect derived from Schulz’s Peanuts© comic strip.
In January 1990 Everhart’s Schulz related work were exhibited at the Louvre in Paris and subsequently at the Los Angeles County Museum of Natural History; Museum of Fine Arts, Montreal; Suntory Museum of Art, Tokyo and Osaka, Japan; Charles M. Schulz Museum, Santa Rosa, and in fine art galleries in Rome, Venice, Milan, Minneapolis, New York, Baltimore, Chicago, and Las Vegas.
In 1991, Charles Schulz and United Media drafted a legal agreement to allow Tom Everhart to use subject matter from Schulz’s Peanuts© strip in his art for “the term of his life”.
In 1992, “Pigpen’s Dirtballs”, a 72″ x 128″ painting was filmed with the artist in progress for the CBS special “The Fabulous Funnies”. A series of four lithographs were published in 1996 and a series of four more lithographs entitled, “To Every Dog There Is A Season”, followed in 1997. Over the next ten years S2 Art Editions and Tom Everhart would create an astonishing body of lithographic work consisting of over seventy-four lithographs.
In 1997, “Snoopy, Not Your Average Dog”, published by Harper Collins, featured an essay on and reproductions of Tom Everhart’s Schulz-inspired paintings.
In 2000, his first solo museum show was launched at the Suntory Museum of Art in Tokyo and Osaka, Japan. The Exhibition traveled to five other locations in Japan until the year 2002.
CBS, in a Charles M. Schulz tribute, designed an entire sound stage, comprised solely of Everhart’s paintings, that were used with host Whoopi Goldberg, throughout the hour long special, in May of 2000.
Image: Tom Everhart in Studio Photo Credit: Alan Shaffer
After Charles Schulz passed away in February of 2000 it left Everhart with a deep sense of loss as well as an even stronger desire to communicate the incredible gift bestowed on him by Schulz.
In 2000 Everhart first visited French Polynesia, a small group of islands in the center of the Pacific Ocean. His trips between French Polynesia and Venice, California have had a significant effect on the paintings, most obviously in the luminous color palette. More importantly, however, it offered him a new way of seeing the work that he was dedicated to continuing.
The Charles M Schulz Museum opened in August 2002 and the following year Everhart had the honor of presenting his works in a solo exhibition there titled, “Under the Influence”. He would also be included in the Museum’s 2011, “Pop’d From the Panel” exhibition, along with works by renowned POP artists, Andy Warhol and Roy Lichtenstein.
In 2011 he exhibited 97 works, titled “Crashing the Party” in a solo exhibition at AFA in New York.
Tom Everhart was brought in during the very first few days of the making of the Peanuts movie in New York to share his knowledge of Schulz’s art with the full creative team.
Tom Everhart continues to lecture around the world about the artwork of Charles M Schulz and to communicate the unique collaborative relationship they shared, as a cartoonist and a painter.
After living in San Francisco, Paris, New York, Washington D.C., Baltimore, and London, in 1997 Tom Everhart moved to Venice, California where he now lives with Jennifer, his wife and director of their studio.
Today, Everhart is the only fine artist educated by Schulz and authorized to use subject matter from Schulz’s Peanuts ©strip to create fine art.
About Chuck Jones Gallery
The Chuck Jones Gallery, founded in 1991, is the only gallery in San Diego devoted to the art of American popular culture, representing not only the work of its namesake, four-time Academy Award-recipient and legendary animation director and creator, Chuck Jones, but also art work by Dr. Seuss and all animation studios. Included in the ongoing gallery exhibits are original paintings and fine art editions by artists such as Tom Everhart, Charles Schulz, Mike Kungl, Eric Goldberg, Fran Lew, Marvel and DC Comics, and Fabio Napoleoni. The gallery is open seven days a week from 10 to 8 PM, except on Sunday when they close at 6 PM. Chuck Jones Galleries are also located in Santa Fe, New Mexico and Costa Mesa, California. The gallery website is ChuckJones.com.
Media Interviews are coordinated by:
949-660-7791 x 22103 robert@ChuckJones.com
All Images are courtesy of Peanuts World Wide ©