Tag Archives: history

The Linda Jones Archive: Crier in the Wilderness by Chuck Jones

The "Canyon Crier" masthead drawn and designed by Chuck Jones, a long-time resident of the Hollywood Hills.

The “Canyon Crier” masthead drawn and designed by Chuck Jones, a long-time resident of the Hollywood Hills.

Crier in the Wilderness by Chuck Jones

Note from Linda: At the time of this article, February 7, 1957, the lead-in stated the following: “Chuck Jones has been Art Director of the Crier from its infancy, and herein tells you how come. He and Dottie dwell in a fabulous glass-and-stone aerie up in Hollywood Knolls, and Little Linda is all grown up and married.”  I was, as stated in the article, seven years old in 1944. I was in the second grade at Valley View School, to which I walked each day…actually uphill (and downhill) both ways! There were 72 steps from the street to our front door. My father’s studio was a room over the garage, which was only 40 steps from the street, but 32 steps down from the front door. I called this the “castle house” and from what I can see of it these days, it looks very much the same as it did in the early forties when we lived there.  —   I have decided to publish this article in six parts, along with the illustrations that accompanied the article at that time. Here is Part I.


The first time I knew that there was such a publication as the “Canyon Crier” was that night during the war when my wife began to make whimpering noises and little dog-like running motions in her sleep. This type of restlessness always presages a complaint or new statement of policy at the following breakfast table, so I was as prepared—to use the term so loosely as to be idiotic—when she gave her first post-orange juice cough. This then was going to be a statement of policy, a new venture or something current on Linda’s up-bringing from Ribble, Ilg, Gesell or Spock, known as RIGS in our household. If it was going to be a complaint, she would have cleared her throat rather than coughing. Thus do we survive through understanding the delicate code of marital communication.

“I’m going to join a car pool,” she said, smearing a quarter pat of butter on a heel of raisin bread toast. (Why is raisin bread so easy to come by during war-time?” The time necessary to chew up and swallow a rag of raisin bread toast was the time allotted me to consider a spate of short-handish thoughts: “Car-pool? Why? Where? Who? How? Huh?”

[Stay tuned…more next week!]

Chuck Jones Takes Flight at the Portland Airport

The works of Northwest legendary cartoon artist, and world-renowned anima-producer at Warner Bros., Chuck Jones, are now on display at Portland International Airport. Born in Spokane, Washington, Jones’ career spanned the history of animated films, beginning at Warner Bros. and continuing his work at MGM before establishing his own Chuck Jones Enterprises in 1963.


Photo courtesy Port of Portland

Jones' colorful and magical masterpieces of liveliness display his innate creative genius.  His most poplular works include "The Dot and the Line", "Dr. Seuss' How the Grinch Stole Christmas" and "The Phantom Tollbooth."  He is perhaps best known for his timeless work at Warner Bros. such as "What's Opera, Doc?", "Duck Amuck" and "One Froggy Evening."  

Greeting the traveler’s eye, Jones’ exhibit, located along Concourse A, brings to life his youthful spirit and sharp wit. Jones’ work speaks to the inner-child of many travelers, and highlights more than 60 years of cartoon and animation history. Jones was a prolific artist whose work has been exhibited at galleries and museums worldwide. He has directed more than 300 animated films, won three Oscars in his career, and received the Lifetime Achievement Oscar in 1996.


Photo courtesy Port of Portland

"Painting does what we cannot do—it brings a three-dimensional world into a two-dimensional plane,” said Jones, who expressed himself in many different ways through his work.


The work is part of the rotating art exhibits program at PDX and is on loan from the Chuck Jones Center for Creativity through March 2012. More information about Jones is available at www.ChuckJonesCenter.org.

The PDX art program is designed to showcase the dynamic cultural life in the Pacific Northwest and showcase Northwest expression through ongoing relationships with regional artists, arts organizations, museums and educational institutions.

More information about PDX is available at www.pdx.com.


Image of the Day: Bunny Prince Charlie

"Ideas for paintings came from all sorts of nooks and crannies and inspired happenchance.  I remember one day we were looking through a travel guide to Scotland.  Turning the pages, we came across a painting of the rather infamous Scottish heir to the British throne, Bonnie Prince Charlie.

"I could sense the creative wheels turning.  "Hmm..you know," he said, "maybe with a carrot sword…wouldn't Bugs look great in that prince outfit?"

"And so, on canvas, appeared the ever self-confident Bugs, magnificent in his coat of crimson, a portrait titled Bunny Prince Charlie."  –Marian Jones, writing in the foreword to "Stroke of Genius, A Collection of Paintings and Musings on Life, Love and Art by Chuck Jones".  


"Bunny Prince Charlie" a hand-pulled fine art lithograph by Chuck Jones.  Image size 20" x 14", paper size 24" x 18", hand-signed by Chuck Jones in pencil, edition size 350.  The Chuck Jones quote accompanying this image in "Stroke of Genius" is "History always looks real simple from the far end."