Tag Archives: Chuck Jones

The Chuck Jones Experience Pops Up!

The Chuck Jones Experience Pops Up in Laguna Beach!

At Laguna Gallery of Contemporary Art

Two Weeks Only!

Laguna Beach, CA: The Chuck Jones Experience, last seen in Las Vegas’s Circus Circus Hotel in 2015, will be on display at the Laguna Gallery of Contemporary Art from August 1 through August 15, 2019. The exhibition will include rare and vintage original production art from films and books created by four-time Academy Award-recipient, and animation legend, Chuck Jones.

The Chuck Jones Experience will be open seven days a week from 11 to 6 PM each day through its run and is free and open to the public. Laguna Gallery of Contemporary Art is located at 611 S. Coast Hwy., Laguna Beach, California. Opening events are planned for Thursday, August 1st during Laguna Beach’s First Thursday Art Walk as well as a Grand Opening on Saturday, August 3rd from 3 to 7 PM.

“We’re particularly thrilled to bring the Chuck Jones Experience to Laguna Beach, long a bastion of the visual arts in Orange County,” said Director of Special Exhibitions, Michael Fiacco. “Not only did Chuck Jones summer on the Newport Peninsula in the early 20th century, he also made his home here for the last few decades of his life. This exhibit covers much of his career, from original production art used to create such films as 1947’s Pepé le Pew film, “Scent-imental Over You” to 1996’s Emmy Award-winning “Peter and the Wolf”.  Also included are original works for two of his books, the autobiography “Chuck Amuck” as well as “Chuck Reducks: Drawing from the Fun Side of Life.”

Besides the exhibition of rare vintage artwork, the exhibit also includes Jones’s contemporary work that is available for acquisition. From his stunning street scenes to his cel art editions and fine art prints that feature the Looney Tunes characters he made so popular, this portion of the exhibit will wow spectators and entice collectors alike.

Images and complete Chuck Jones biography available upon request.

On the Avenue–Events During Comic Con

Holy Cosplay, Batman!

Chuck Jones Gallery Announces

Comic Con Events

San Diego, CA: The Chuck Jones Gallery announced today their lineup of events during this year’s Comic Con International, July 18-21st. The gallery, located in the heart of the historic Gaslamp Quarter at 232 Fifth Avenue, across from the Hard Rock Hotel, and a half block from the San Diego Convention Center, is pleased to present a series of artist appearances that will delight and inspire Comic Con attendees.

  • Wednesday, July 17, from 7 to 10 PM at the Chuck Jones Gallery–San Diego: Two Sides of the Same… Meet Simpsons storyboard artist, Stephen Reis and view his latest work, Two Sides of the Same… Also this evening, our special guests will be Girls Drawin’ Girls!

“Two Sides of the Same…Road Runner & Wile E. Coyote” fine art print on canvas by Stephen Reis

  • Thursday, July 18, from 2 to 5 PM at the Chuck Jones Gallery–San Diego: Meet Minimalist and MLB-authorized artist, S. Preston, as we premier new work by the artist featuring all of your favorite Looney Tunes characters. Exhibition and sale. The artist will be dedicating artwork purchased for this event.

“Minimalist Broomstick Bunny” fine art print on paper by S. Preston

  • Thursday, July 18, from 7 to 10 PM at the Chuck Jones Gallery–San Diego: Meet Chuck Jones’s grandson, Craig Kausen, for an evening of great art, Warner Bros. trivia contest, and raffle prizes! We’ll be premiering new work from the incomparable 4-time Academy Award-winning animation legend, Chuck Jones. A not-to-be-missed evening!

“The Fanatic”, fine art print on paper from an original watercolor by Chuck Jones.

  • Friday, July 19, from 7 to 10 PM at the Chuck Jones Gallery–San Diego: How About a Quick Stop on Venus? Artist reception for the remarkable Fabio Napoleoni. At this exhibition and sale, Fabio will be dedicating artwork purchased for this event. View exclusive original art and rare editions by this American Master.

“How About a Quick Stop on Venus?” fine art print on canvas by Fabio Napoleoni. Our exclusively.

  • Saturday, July 20, from 4 to 6 PM at the Chuck Jones Gallery–San Diego: Meet the incomparable animation legend, Willie Ito. With a career spanning several decades, this versatile artist and bon vivant will wow you with his tales of working with the greats of the Golden Age of Animation, including Chuck Jones and Bill Hanna and Joe Barbera. View and acquire his original drawings!

Original drawing, mixed media on paper, by Willie Ito.

  • Saturday, July 20, from 7 to 10 PM at the Chuck Jones Gallery–San Diego: Join us in a galaxy far, far away as we celebrate the epic tale of Star Wars with artists Rodel Gonzalez and Rob Kaz! Featuring new original work depicting your favorite moments from the Star Wars legend. Both artists will be dedicating artwork purchased for this event.

“At an End Your Rule Is” fine art print on canvas by Rodel Gonzalez.

“Light Versus Dark” fine art print on canvas by Rob Kaz.

  • Sunday, July 21, from 9 to 5 PM at the Chuck Jones Gallery–San Diego: Comic Con comes to a close.

About the Gallery: The Chuck Jones Gallery, celebrating its 42nd anniversary, represents the finest in the art of American Pop culture. It is also the only gallery in San Diego dedicated to the art of the animated film, representing not only the work of its namesake, four-time Academy Award-recipient and legendary animation director and creator, Chuck Jones, but also artwork by Dr. Seuss, and all animation studios. Included in the ongoing gallery exhibits are original paintings and fine art editions by artists such as Charles Schulz, Tom Everhart, Markus Pierson, and Fabio Napoleoni. The gallery is open seven days a week from 10 to 8 PM, except on Sunday when it closes at 6 PM. The gallery website is at ChuckJones.com.

 

 

Happy Birthday, Paul Klee!

Happy Birthday, Paul Klee, born 139 years ago today. Chuck Jones was inspired by the artwork of Paul Klee and created “Portrait du Cochon” (Portrait of a Pig) as an homage in 1989. Klee’s original, “Senecio” from 1922 is below Jones’s.

Klee was and is revered by artists and one of his most often quoted statements is: “A line is a dot that went for a walk.”

“Portrait of a Pig” 1989 by Chuck Jones

“Senecio” 1922 by Paul Klee

Chuck Jones Gallery to “Pop Up” in San Francisco for the Holidays!

The Chuck Jones Gallery announced today that they will open a holiday Pop Up gallery in San Francisco’s famed Cartoon Art Museum on Friday, November 23 through Monday, December 31, 2018. Located at 781 Beach Street, just a few steps from the renowned Ghirardelli Square and directly across from San Francisco Bay, the Cartoon Art Museum houses one of the countries finest collections of all things cartoon. Hours will be 11 to 5 PM, closed Wednesdays. Michael Fiacco, director of special exhibitions for the Chuck Jones Gallery, will be on site during December. A grand opening is in the works for Saturday, December 1st.

“We’re thrilled to be opening a Chuck Jones Gallery Pop-up at the Cartoon Art Museum this fall and winter in San Francisco. With its unique position in the community as a destination to view and study the best in the fine art of cartoons, animation, and the associated arts, it was a natural selection for us,” said Scott Dicken, VP of Retail, the Chuck Jones Companies, “During our six weeks at the Cartoon Art Museum, our core collection will be on exhibit, but we also plan to feature original artwork from Disney Studios, plus original art from the Chuck Jones classic television special, “Dr. Seuss’ How the Grinch Stole Christmas.”

Chuck Jones Gallery Pop Up at Anaheim GardenWalk, July and August 2018.

The Chuck Jones Gallery, with locations in Costa Mesa & San Diego, California, as well as Santa Fe, New Mexico is the destination for art collectors and visitors from around the world.  Owned by Linda Jones Enterprises, the publisher and distributor of the art of the legendary animation creator and director, Chuck Jones, it is devoted to the art of American Pop Culture.

Founded in 1991 by four-time Academy Award-recipient and animation legend, Chuck Jones, and his daughter, Linda Jones Clough, in Corona del Mar, CA, the Chuck Jones Gallery quickly became the center for the work of not only Chuck Jones, but also all the major animation studios. Linda Jones Clough is credited with helping develop the market for animation art. In 1992 she created the “1 of 1” pairing an original production drawing with a hand-painted cel art edition of one.

Included in the on-going displays at the galleries are art from all major animation studios as well as original paintings and limited edition fine art from a variety of internationally known artists such as Tom Everhart, Fabio Napoleoni, Marcus Pierson, and Fran Lew. All the leading studios, including Disney, Peanuts, DC Comics, Marvel Comics, and the art of Star Wars are regularly featured. For more information contact a Chuck Jones Gallery near you or visit ChuckJones.com.

 

Art Star Publishers Gather at the Chuck Jones Gallery

The stars aligned last night at the San Diego Chuck Jones Gallery “Art of Star Wars” gala reception for artists Rob Kaz and Rodel Gonzalez during Comic Con International–San Diego. It’s not often you can get publishers and artist representatives from all the major studios in one room at the same time, but last night was that night.

Standing from left: Scott Coleman of James Coleman Studios, publisher of the “Art of Star Wars” with ACME Archives; Jerry Beck, famed author and animation historian; Ari Goldman, owner of Choice Art Group and publisher of the Marvel Comics fine art; Michelle Smart, artist representative extraordinaire; Eric Lange of Collector’s Editions; Jim Lentz, head of the animation department at Heritage Auctions; Michael Young, CEO of Collector’s Editions and publisher of Disney Fine Art; Mike Dicken, National Sales Director for the Chuck Jones Galleries; seated from left, Joel Shapiro, Sales Manager, Chuck Jones Gallery–San Diego, and Scott Dicken, VP of Retail Sales for Linda Jones Enterprises, publisher of the art of Chuck Jones.

Today’s events at the Chuck Jones Gallery in San Diego–232 Fifth Avenue–in the heart of the historic Gas Lamp Quarter and just one-half block north of the Convention Center include a meet & greet with actor and star of the upcoming feature film, “The Samuel Project”, Ryan Ochoa, from 11:30 to 2:30 PM; The Art of Marvel Comics with special guest artist, James C. Mulligan from 3 to 6 PM and a “Nap Time” a reception for American Art Star, Fabio Napoleoni, from 7 to 10 PM featuring his iconic Marcenivo. Visit the Gallery on Facebook.com/ChuckJonesGallery or at ChuckJonesCatalog.com.

Rabbitville Hops into the Chuck Jones Gallery

The Rabbitville Public Art Program of the Gaslamp Quarter in  downtown San Diego will close its 150th anniversary celebration on Friday, April 19 from 6 to 9 PM at the Chuck Jones Gallery, 232 Fifth Avenue.

Warner Bros. sponsored painted rabbit, part of the Rabbitville Public Art program of the Gaslamp Quarter.

Rabbits from the art program will be on display including the Warner Bros. rabbit. Each sponsor of one of the 15 rabbits painted by local San Diego artists has contributed $10,000 to the Gaslamp Quarter’s special lighting project. There are five rabbits left for sponsorship.

Contact Erin Liddell of the Gaslamp Quarter for more details regarding sponsorship, Erin@Gaslamp.org. RSVP for the evening celebration at 619-294-9880 or SanDiego@ChuckJones.com.

Terri Hardin and Looney Tunes Fortune Tellers at Red Dot Auction!

The incomparable Terri Hardin, Disney Imagineer, sculptress, puppeteer, creator (you know those Foster Farm chickens, right? Terri created them) has designed the most amazing Looney Tunes Fortune Tellers EVER! She’ll be folding them on Saturday, May 6th for a donation to the Center. Add them to your “must have” list!

Tickets for the Red Dot Auction are available at www.ChuckJonesCenter.org/RedDot. Be there or be square!

 

Inspired by Chuck Jones

Artists Karen and Tony Barone, featured artists in our San Diego Chuck Jones Gallery through April 13, have honored the influence Chuck Jones has had on their art and their life in their website’s “Blob”. Yes, that’s right, it’s not a “Blog”, but a “Blob”. Written by Tony, the “Blob” covers all sorts of topics. The most recent posting, #9, centers on the Chuck Jones inspiration they’ve channeled in their most recent work, “Bugs Bunny in a Hare-Raising Experience”.

Chuck Jones by Karen and Tony Barone.

Chuck Jones by Karen and Tony Barone after a photograph by Karsh of Ottawa.

Tony writes, “I am a composite of skills and knowledge inherited from all those artists who have come before me.

“In my most recent incarnation, I am channeling artist Chuck Jones, the world’s most collected cartoonist, animator, filmmaker and Pop art practitioner. The impressions he left on me when I was a “baby” artist, but an artist none-the-less, are indelible. Now that I am more skilled, I am even more aware of how skilled he is. I say “is” because although he passed in 2002 at nearly 90, I speak of him in the present because I continue to “draw” from him.” Read the rest of his inspiration at the “Blob” on BaroneArt.com.

The Linda Jones Archive: Crier in the Wilderness by Chuck Jones, Part 5

Note from Linda: At the time of this article, February 7, 1957, the lead-in stated the following: “Chuck Jones has been Art Director of the Crier from its infancy, and herein tells you how come. He and Dottie dwell in a fabulous glass-and-stone aerie up in Hollywood Knolls, and Little Linda is all grown up and married.”  I was, as stated in the article, seven years old in 1944. We had pool parties often in lovely, poison oak surrounded, swimming pool above the back patio…. yes, above…up the hill through overgrown ivy covered steps, which were especially slippery coming down. I learned to love to swim in that pool and missed it when we moved across the street in 1945. Here is Part V:

 [PART V] Cinnamon, Anyone?

             It was through the pages of the Canyon Crier that my wife sought wartime bargains. Her wants were relatively simple since the only thing she hoarded during the war years was cinnamon sticks. She had a morbid fear of being without hot-buttered rum, even though it was hot oleo-margarine-rum more often than not. Occasionally a grocer in a flippant mood would advertise cinnamon sticks, and shortly thereafter a slender hooded figure might be observed slinking by the check stand with a bulging paper bag. Since 1945 we have had hot buttered rum perhaps five times, which means that we still have ample supply for about ten thousand years.

Betty Branch, then editor of the Crier (Russell Branch, Publisher), inserted a plea for an artist-cartoonist of the general class of Arno, Adams, or VIP Partch, who would be willing to work for nothing. I applied, knowing full well that I had the disadvantage of not being in the class of Arno, Adams or Partch, yet smugly aware that I held the enormous advantage of being willing to work for nothing, which I knew they were not. My relationship with all of the succeeding Canyon Crier editors has continued in this same unsullied manner, characterized by purity on both sides. Neither checks nor rejection slips have ever passed between me and any editor of the Canyon Crier.

CJCC - Canyon Crier Illustration #5 website

Just how many editors and/or proprietors the Canyon Crier has known I cannot now recall, but four—I think—have been significant Branch, Rose, Bishop and Sharpe, and three of these seem to have an etymological sympathy: Sharpe, Rose, Branch with Bishop thrown in for ecclesiastical class.

[The exciting conclusion of this article next week!]

The Linda Jones Clough Archive: Crier in the Wilderness by Chuck Jones, Part 4

Note from Linda: At the time of this article, February 7, 1957, the lead-in stated the following: “Chuck Jones has been Art Director of the Crier from its infancy, and herein tells you how come. He and Dottie dwell in a fabulous glass-and-stone aerie up in Hollywood Knolls, and Little Linda is all grown up and married.”  I was, as stated in the article, seven years old in 1944. I well remember my father’s “war warden” hard hat…with a webbing inside that fascinated me…but he wouldn’t let me play with it. He went out almost every night, from our blacked out home, with his huge flashlight and his hard hat and a first aid kit slung over his chest. The searchlights interspersed the stars…and they were not for movie openings, but searching for enemy aircraft. Here is Part IV.

CJCC - Part IV Illustration from Canyon Crier_400px

[PART IV] The Oddments of War

Thus she joined the carpool and the “Canyon Crier” became a factor in our lives. We were at about this time promoted to a kind of restricted B sticker for our gasoline ration I was working on a project to camouflage Signal Hill rather a thankless job since the oil wells could only be disguised as something that looked like another military objective like a ship yard, an ammunition dump or an air-field. I think our final suggestion was to build two other fake Signal Hillses and hope for the best, or to make a gigantic tent big enough to cover all of Long Beach. At any rate we managed to carry on, although I occasionally had to employ the steps, dare the dog, and the Rhus diversiloba (poison oak).

It was through the tiny pages of the Crier that we were informed of the activities of Civilian Defense. Dan Duryea, as I remember it, was Senior Warden in our parts. Ken Harris was block Warden. Kent Winthers was Junior Warden and I was Fire Watcher, since we were almost the sole residents of Passmore Drive at that time. The Finkel house, now owned and beautifully remodeled by Hal and Margo Findlay, was then empty and the only other house was occupied, I believe, by a schizophrenic who thought he was a German spy but never came outdoors long enough to find out. He it was who had bought the confused Doberman thinking him to be a turn=coat (or turn-pelt). The three of us then were the task force that manned Operation Passmore, and even though in the giant logistics of war such minutia are often overlooked, yet it is true that we kept Passmore Drive remarkably free of fire-bombs.

[See you next week, with Part V]