The Guest Curator page on the soon-to-be-brand-new-exciting-and-thrilling Chuck Jones Center for Creativity website will be devoted to commentary provided by a variety of experts and fans of the art and films of Chuck Jones. Throughout this series, we plan to bring you new insight and fresh perspectives on Jones's oeuvre. Stay tuned!
Animation expert, author, and historian, Jerry Beck, graciously agreed to inaugurate the Guest Curator page on the Center's website, but due to a delay in launching that brand-new-exciting-and-thrilling-website, we've decided to share his insights with you today here at Chuck Redux. Selecting three Chuck Jones cartoons to highlight proved a challenge, but one he met with his usual gusto, delight, and expertise. Read on!
ONE FROGGY EVENING – Chuck Jones probably never set out to create a classic when he began directing this one-shot cartoon (originally titled “It Hopped One Night”), but that’s exactly what he did. Michael Maltese’s premise, about a singing frog that performs only in view of its owner, must have appealed to Chuck for its witty use of popular tunes from an earlier generation, and a story told virtually through pantomime, poses and facial expressions.
But it turned out to be (in my humble opinion) his greatest piece of animation storytelling, where every subtle nuance conveys feelings we can all relate to, including happiness, greed, frustration and failure. One Froggy Evening plays upon our desire to achieve the American Dream of easy success, and finds humor in the realities of how that success may or may not be obtained. Jones’ animation unit at this time was at the height of its talents, producing cartoons as contemporary as the UPA shorts, as timeless as Disney, and utterly original on their own terms. A masterpiece!
Unfortunately, One Froggy Evening is only available by hyperlink, click on the title in this sentence to watch the cartoon.
OPERATION RABBIT – The best cartoon characters represent identifiable personalities that are either who we are – or who we want to be. Operation Rabbit presents the eternal battle between those two forces. Bugs Bunny has always been smarter than his various adversaries (think Elmer Fudd, Yosemite Sam and Taz), but here he encounters his brainest foe – a “genius” in fact – Wile E. Coyote.
Jones concocted the coyote as the personification of his own bewilderment with tools, machinery or simply building things. He knew how funny this sort of character could be up against the cool, calm and confident Bugs, just as he was in his debut film versus the Road Runner two years earlier.
Operation Rabbit is Wile E.’s second screen appearance and his first speaking role (not to mention the first time the character is named). I personally think its one of the best Bugs Bunny cartoons ever made and debatably the funniest. The scene of the coyote hanging on a rock ledge, having just been blown to bits by a train hitting his nitro glycerin shack, repeating his name “Wile E. Coyote, Super-Genius” – that never fails to make me laugh out loud. I know that guy. He’s me, he’s Chuck and he’s probably you.
Unlike the Coyote, Jones hit the Bullseye with this one!
SCAREDY CAT – Scaredy Cat is the first of several Porky Pig and Sylvester “Gothics”, three cartoons Jones made with a similarly eerie premise, and one of my all-time favorites. This one has the pair spending a hair raising night in an old dark house. The humor comes from Sylvester’s observations and actions to protect an oblivious Porky from a legion of killer mice.
Every director at Warners had their shot to work with Porky and Sylvester and each succeeded in creating an individual persona for the characters. Jones’ Porky is never more appealing than he is here – optimistic, self-assured and quite a strict pet owner. Sylvester is also tweaked in a Jonesian way: silent and scared, paranoid yet uncharacteristically brave. Oh, and I also believe this is the first cartoon where the cat (unnamed in previous screen appearances under Clampett, Davis and McKimson – and dubbed “Thomas” in Freleng’s Oscar winning “Tweetie Pie”) is given his proper name, Sylvester.
That sound like something Jones and Maltese would make up for this speech-impaired putty tat. “Sufferin’ Succotash!”
Original layout drawing (graphite on 12 field animation paper) by Chuck Jones, drawn for his 1956 short animated film, “To Hare Is Human,” the second film to star Bugs Bunny and Wile E. Coyote after the Jones directed 1952 “Operation: Rabbit.”