The “Bubble Bath” series of mixed media editions by Tom Everhart are available for viewing and purchase at the Chuck Jones Gallery. Contact your Chuck Jones Gallery art consultant for details.
Were you there? Did you see? OMG! Squeal!
Comic Con 2016 did not disappoint once again. The crowds, the sun, the heat, the cosplay, the “what was that?”, the stars of film and TV, the nights, all came together as it does in July each year. And the Chuck Jones Gallery on 5th Avenue was a nexus of activity for the pre-and-post-Convention Center activities of hundreds of collectors and fans of all things Pop culture. We celebrated with Girls Drawin’ Girls, Jimmy Mulligan, the “Star Wars” art trio of James Coleman, Rodel Gonzalez, Rob Kaz; the heartwarming and charming Fabio Napoleoni, the inimitable Stan Lee, the dynamic William Shatner, the fabulous Nancy Cartwright, and last, but not least, we introduced artist Mike Bilz and his fascinating work to our collectors.
Here’s a just a quick photo sample of what happened Friday evening by photographer Stephen Russo:
All photos courtesy Stephen Russo.
The Chuck Jones Gallery–San Diego will be the site for a “Star Wars” Art Tribute on Thursday, July 21 from 7:30 PM to 9:30 PM. Our special guest artists will be James Coleman, Rodel Gonzalez, and Rob Kaz. RSVP required 619-294-9880.
James Coleman, known around the world as one of the pre-eminent Disney background artists, has, over the past several years, turned his eye to creating a rich and luxurious body of work that celebrates not only his work at Disney and his deep, abiding love for Hawaii, but also his fascination for the movies. His new interpretive “Star Wars” work brings together all of his loves and immense talent to bear on some of the most exquisite paintings and limited edition fine art prints of his career.
Rodel Gonzalez is a rock star! No, it’s true, Rodel’s first career was as the lead singer for a rock band in his native Philippines. However, over the past few years, he’s turned his creative eye to painting. His interpretive work of the Disney Studio characters and “Star Wars” have become highly sought after by collectors. His innate talent as a narrative painter is one reason his work touches the hearts and minds of so many.
The young artist, Rob Kaz, charms with his whimsical story-telling abilities and vibrant palette of tropical colors. His wit and sharp intellect are apparent in his paintings, with their luxurious colors and dense shapes and forms. Although the shown “Star Wars” works are more monochromatic in palette, they still retain the fresh viewpoint of this young, up-and-coming fine artist.
Meet James Coleman, Rodel Gonzalez, and Rob Kaz at the Chuck Jones Gallery on Thursday, July 21 from 7:30 PM to 9:30 PM, RSVP required: 619-294-9880. The gallery is located at 232 Fifth Avenue, in the heart of San Diego’s historic Gas Lamp Quarter, directly across from the Hard Rock Hotel, and one short block from the Convention Center.
With less than two weeks until the Red Dot Auction, we wanted to share with you the stories of the artists who have donated art work (or in some cases, more than one) to this year’s Red Dot Auction. This fundraiser, now in its sixth year, benefits the programs of the Chuck Jones Center for Creativity. Today we feature artist Bruce Berglund.
Bruce Berglund started drawing by the time he could hold a pencil. One day Bruce’s mother noticed him ignoring a new coloring book she had just given him. When she asked why he wasn’t using it, Bruce commented, “I don’t want to color someone else’s drawings”. He started oil painting at age 12 and at college he pursued Advertising, and Graphic Design achieving degrees in both. In 1985 Bruce relocated to Southern California where his steady illustration work won him notoriety as one of the top illustrators in Orange County. Bruce went on to open his own design studio (Berglund Advertising Design) in Costa Mesa in 1989. A portion of his current commercial portfolio including: illustrations, logo designs, advertising and web concepts can be seen on his newly launched website:www.BerglundAdvertisingDesign.com. To view his oils (not yet displayed on his website), contact Bruce directly at: 714.545.4948.
Will you go home with Bruce’s work at this year’s Red Dot Auction? Be there to find out. Ticket’s available at ChuckJonesCenter.org/RedDot. Pre-bidding is now available at Heritage Auctions, click here to place your bids.
“What’s Up, Doc? The Animated Art of Chuck Jones” opens Saturday, June 13 at the EMP Museum, Seattle; the exhibit closes mid-January 2016. If you’re in the area or planning to travel to Seattle, it is a not-to-be-missed experience for fans of Chuck Jones, animation, and art. The exhibit was organized by the Smithsonian Institute, Museum of the Moving Image, Chuck Jones Center for Creativity, and the Academy of Motion Picture Arts and Sciences.
Bugs Bunny model sheet from an unknown production, colored pencil on 5-hole punch 12 field animation paper, circa early 1950s.
On Thursday, April 30th, the Chuck Jones Center for Creativity hosted a private preview evening for their donors, sponsors, and the artists who had contributed artwork to this year’s Red Dot Auction. What a lovely evening! Cocktails and tray-passed hors d’oeuvres flourished, the repartee was sparkling, the evening was a smash!
Those in attendance had the opportunity to not only preview the incredible artwork that is on display, but to also bid and use the eponymous “Red Dot” to secure their favorite works of art by committing to pay $600 for the one of their choice. Cowbells were heard throughout the night!*
Craig Kausen, chairman of the Chuck Jones Center for Creativity and Chuck’s grandson is flanked by, on the right, Linda Jones Clough, Chuck’s daughter, and on the left by New York Times best-selling author and reporter on the science of creativity, Ashley Merryman. Ms. Merryman gave a brief introduction to the science of creativity for those assembled.
All photographs by Stephen Russo, a volunteer on the Chuck Jones Council for Creativity.
*Cowbells were rung every time a Red Dot was used.
There will be music.
There will be drinks.
There'll be food too! (no photo of food, though, sorry. 🙁
There'll be artists.
And of course, there'll be art, lots of art! There are 106 donated works of art…you should drop everything and join us this evening. Tickets available at the door. Chuck Jones Center for Creativity, 3321 Hyland Avenue, Costa Mesa, CA 92626. 949-660-7791 x 22103 or RSVP@ChuckJonesCenter.org.
See you there!
Photos courtesy Stephen Russo
The talented Valerie Kausen is the special guest of honor at the Bradford Animation Festival at the National Media Museum in the United Kingdom. They screened "The Magical World of Chuck Jones" on the big screen for the first time in 20 years (Valerie was a producer) while Chuck Jones short cartoons played in other venues. The Festival ends on the 17th…so if you're in the Bradford, U.K. area (near Manchester) skootchy on over and see what's happening. (In case you were wondering, "Skootchy" is a technical term that means "come on down".)
Valerie, 20 years ago.
It's always wonderful to poke around in the Chuck Jones archives (what some people call 'curating' — but isn't everyone a curator? 'Poking around' sounds like more fun to me) to see what might be just right for an exhibition (big or small) like the works selected for Bradford Animation Festival's Chuck Jones Centenary Tribute.
In the photo above, Chuck demonstrates how three of the characters he developed and/or created are drawn in a similar way: Bugs Bunny, Daffy Duck, Wile E. Coyote. These drawings are featured on pages 132, 133 of "Chuck Reducks: Drawing From the Fun Side of Life" by Chuck Jones.
The five drawings in the photograph above are from three of the many archive boxes filled with Chuck Jones sketches–animals, children, conveyances. BTW, if you want a baby to look like a baby, don't give it a cigar to smoke (see image lower left.)
These last drawings appeared in Chuck Jones's autobiography, "Chuck Amuck: the Life and Times of an Animated Cartoonist". Clockwise from upper left, Johnson the cat, Teddy, a dachshund in a wet suit (drawn during the pre-production for Jones's "The White Seal"), a 1941 caricature holiday card from his Unit A at Leon Schlesinger Productions and Johnson with his tongue depressor.
PEANUTS™ Characters Magically
Appear in San Diego & Costa Mesa!
Magic, Charlie Brown to Premier at Gallery
at the Chuck Jones Gallery Honors Larry Leichliter,
of PEANUTS™ Animated Specials
CA—In a rare public
appearance, Larry Leichliter, PEANUTS
animation artist will be the special guest-of-honor at both Chuck Jones Galleries in California on Saturday, December 1st (San Diego, 5 to 8 PM) and Sunday, December 2nd (Costa Mesa, 12:30 PM to 3 PM) as the galleries unveil original production art from “It’s Magic, Charlie
Brown!”, a 1981 television special produced by Bill Melendez, directed by Phil
Roman; Leichliter was one of the animators who worked on this film. The
reception and exhibition at the galleries will feature original production art,
limited edition cel art and rare sold-out cel art editions from many of the
most famous PEANUTS television specials of the last 40 years. Mr. Leichliter will also be signing and
dedicating art purchased at this event.
The San Diego Chuck Jones Gallery is located at 232 Fifth Avenue in the city's historic GasLamp Quarter. The Costa Mesa Chuck Jones Gallery can be found at 3321 Hyland Avenue in Orange County's newest shopping destination, South Coast Collection (SoCo).
career in animation began in the 1960s working for Bill Hanna and Joe Barbera
at their studio creating animation for television. While there, he worked alongside some of the
most renowned animators of the “Golden Age” of animation including Iwao
Takamoto and Wiley Ito. Likening working
in animation to that of the life of a nomad, Leichliter’s career included
stints with Ralph Bakshi where he was able to work with the great animator, Irv
Spence (known for his fluid animation of MGM’s Tom & Jerry cartoons of the 1950s) and before he hung his hat
at Bill Melendez Productions, the home of the Peanuts television specials, advertising and films. Leichliter has also directed several
animation shows for Nickelodeon including SpongeBob
SquarePants and Hey, Arnold!
About the galleries: The Chuck Jones Gallery is the destination for art collectors and visitors from around
the world. Owned by Linda Jones
Enterprises, the publisher and distributor of the art of the legendary
animation creator and director, Chuck Jones, it is the only gallery in Orange and San Diego County devoted to the art of the animated film.
Included in the on-going display is art from all major animation studios
as well as original paintings and limited edition fine art from a variety of
internationally known artists and photographers whose work is entertainment
related. For more information please call
the Costa Mesa gallery at 866-248-2556 or the San Diego gallery at 888-294-9880. The Chuck Jones Gallery may be found online at www.ChuckJones.com. Blog: Chuck
is available for phone interviews prior to the show and onsite the day of the
event. Photos of exhibition art for
publication are available upon request.
Chuck Redux stumbled across this poem by Frank O'Hara, one of mid-century America's great poets and critics, the other day, as one does when surfing the internet and over the intervening days as it has sunk in and had time to percolate, CR has come to think of it as a poem about the nature of creativity and thinks you will too.
Why I Am Not A Painter
I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,
for instance, Mike Goldberg
is starting a painting. I drop in.
“Sit down and have a drink” he
says. I drink; we drink. I look
up. “You have SARDINES in it.”
“Yes, it needed something there.”
“Oh.” I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. “Where’s SARDINES?”
All that’s left is just
letters, “It was too much,” Mike says.
But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven’t mentioned
orange yet. It’s twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike’s painting, called SARDINES